by ednamayfan » 04 Aug 2010 20:52
NOT QUITE A TREASURE CHEST
by Devotee #2
Content
Like the ‘Sweetheart Pack’, the ‘TCM Five’ spans almost the whole of Deanna’s career, though if that was the aim, it was a little odd to include Mad About Music, That Certain Age and Three Smart Girls Grow Up, which were released consecutively. Luckily there is no duplication of the films in the ‘Sweetheart Pack’, although that does rather suggest that those six will not soon be remastered. To be fair, they are in no great need of it. The pity of the ‘TCM Five’ is that it does not include Spring Parade or Hers to Hold – the two films that are the most difficult to obtain and, in the experience of most of us who have seen them, would most benefit from restoration. As to peripherals, the lack of subtitles does not trouble me, but the surprising absence of any scene index is a drawback.
Quality
We are told that these five films have been ‘remastered’. ‘Remastered from what?’ I cannot but ask; ‘Remastered how?’ A short feature, somewhere in the bonus materials, would have been fascinating. Most Devotees will also ask, ‘Remastered how well?’ if they have already seen the films, and ‘What is the quality that has been achieved?’ if they have not.
Newcomers to the films will find them generally clean, bright and sharp, with good greyscales and good deep blacks – a pleasure to watch, with only very occasional uncorrected defects. For the Love of Mary is in splendid condition, possibly because it is the most recently made of the five; the others don’t quite come up to that high standard. Throughout the set there is the occasional missing frame, and occasionally the image remains a little unstable, owing, I imagine, to worn sprocket holes.
As a previous reviewer remarked, these are not thorough and costly restorations. To be fair, they are not billed as such; they are billed as remastered, which does not necessarily imply any restoration at all. Those who already have these films on DVD (probably obtained, as mine were, via a Brazilian outlet) will want to know whether it will be worth while to buy this new edition. Without assuming that it is an improved version of the ‘Brazilian’ edition – TCM or Universal may well have used different prints – a word or two of comparison may not be out of place.
I shall take Three Smart Girls Grow Up as typical of the set. The video quality is good, as noted above. As compared with the ‘Brazilian’ version, it is generally rather lighter – always to be desired in Deanna’s films – but still with good contrast. There is no apparent mismatch of brightness or contrast between reels, and the reel cues have been eliminated.
The chief improvement is that the film is generally clearer and sharper, and that has two important side-effects. First, it has improved the depth of focus, which is noticeable for example when Penny sits down to eat during the ball. Secondly, some small details have emerged that I hadn’t noticed before. For example, the well-known four moles on Deanna’s upper chest (they remind me of the Big Dipper) are in fact five (03:26). The pillar at the bottom of the stairs can be seen to be made of wood rather than the stone (or plastered brick) that it would have been in a real house (06:23). One ought now to be able to lip-read Joan when she first stands with Richard on the balcony (09:06). We can see water-drops on her face after she has taken her shower (16:31). (They don’t move – one suspects particles of glitter – but they attest to an admirable attention to detail.) We catch the rueful expression on the voice-teacher’s face just before he sits down at the rehearsal, as if he realizes rather sadly that he has taught Penny all he can (26:20). I don’t say these details weren’t there in the earlier edition – they were, as I now see when I go back and look for them – but they are now so much clearer that I am not surprised that I had not noticed them before.
The sound is still good. I have sometimes found it lacking a bit of ‘top’; but that the soundtrack as a whole may actually be better is, once again, suggested by occasional moments of detail. For example, when Kay kisses Joan to congratulate her on her engagement, one can hear the two kisses, now; and one can now hear Judson Craig say, ‘I know you’ll be happy, dear,’ when he finally realizes which daughter he is to congratulate.
Bonus Materials
The set contains a splendid selection of supporting photographs, but the number presented with each film varies widely. Their presentation is rather clunky and time-consuming, especially as one cannot see them beforehand and select them individually.
The spoken introductions by Robert Osborne of TCM add little to the print articles that are also to be found on the disks. Would that the space given to them had been given to some trailers and deleted scenes! There are none – not even Deanna’s performance of ‘It’s a Big, Wide, Wonderful World’ in For the Love of Mary. It was included in another version of Mary issued for home viewing, so why not in this one? It cannot have been left out simply because of a wish to present the films as they would have been seen in the cinema, because that would logically imply the inclusion of no bonus materials at all. Its omission is an opportunity missed.
Packaging
The packaging is still pretty basic – it is a slight improvement on that of the ‘Sweetheart Pack’, but the Digipak here is actually less robust than that of the ‘Sweetheart Pack’, and there is still no slip case. Considering the price, TCM might have done better by us. Had I known that the ‘TCM Five’ would also be issued separately, I should have ordered them individually and had what I see as the distinct advantage of individual cases. The earlier reviewer, however, is right about the attractive artwork on the new Digipak. I particularly like the way in which five still photographs, one from each of the films, have been arranged as a single banner on the inside, with the backgrounds to the photographs skilfully blended one into another.
Summary
Unless one particularly wants the bonus materials, the video image, good though it is, does not represent a startling improvement over the quality of what was available before. For ardent Durbinites, any improvement makes this set a ‘must-have’; but the chief value of the set probably consists not so much in a better picture quality for those of us who have the films already as in their availability to those who could not get hold of them before – they then have the marginal advantage of starting with a slightly better edition than the rest of us did. As far as I know, however, the only available version of this set is for Region 1, though there are ways round this restriction. Given my caveats, this set is by no means a disappointment, but it is not quite the treasure chest that I had been hoping for.